To this blend of classical elegance and modernist expertise, Malik adds the calligraphic influence of modern masters like Frederic Goudy or Ed Benguiat, visible in signature details like the reverse contrast uppercase B, or the calligraphic lowercase k. It’s something that also reminds of the peculiar shapes of the Simoncini Method, invented by italian type designer Francesco Simoncini to get a sharper definition of letterforms. This was achieved by using the so-called flared serif that emerges gradually from the stem of the letter, ending in a sharp angle. The designer wanted to find a way to bridge the classical letterforms of Roman Old Style typefaces with the readability of contemporary sans typefaces. The new face found welcome here and abroad no advertising face of recent production had a greater sale.Taking its name from the arabic word for “king”, Malik is a flared sans serif typeface family designed in 2020 by Andrea Tartarelli. Werner its few faults of uncouth capitals show a desire to please eccentric tastes and to conform to old usage. John is purely complimentary, for no member of the De Vinne Press has any claim on the style as inventor or designer. Werner of the Central Type Foundry was instructed to draw and cut the proposed face in all sizes from 6- to 72-point, which task he executed with great ability. John approved, but insisted on grotesques to some capital letters in the belief that they would meet a general desire for more quaintness. suggested a return to the simplicity of the true old-style character, but with the added features of thicker lines and adjusted proportion in shapes of letters.
He didn’t design this typeface Nick Shinn, the typographer and type historian, gives the following quote from De Vinne about the typeface’s inception: Theodore De Vinne was a 19th century printer and publisher.
The typeface is named after the renowned American printer Theodore Low DeVinne (1828-1914). According to, its style has become synonymous with the Art Noveau period, which was raging internationally when DeVinne Ornamental’s letters were first drawn. There’s obviously something faintly oriental about the font, Devinne Swash or Devinne Ornamental, although why that should be is an interesting question.ĭevinne Ornamental, which is based on a Deberny & Peignot typeface called Les Modernes from around 1900. The Uddins Indian restaurant in Taunton, Somerset, looks like it’s served its last dish of Chicken Vindaloo, but the lingering signage has yet to be removed. They were commonly used on things such as stock certificates and money but were also frequently seen on letterheads and business cards.
The engraved, stripe decorations and fat face letterforms were popular trends in 19th century design. Neukomm created the original design - the striped version in all capitals. Morris Fuller Benton’s typefaces include Franklin Gothic, Cloister, Century Schoolbook, Franklin Gothic, News Gothic, Cheltenham Bank Gothic, Souvenir, Broadway, Stymie, and Hobo - many still in use today.Ĭhevalier was released by the Haas Type Foundry in Switzerland. Benton trained as a mechanic and obtained a degree in engineering, but then switched to type design, at first working with his father, who was also more of an engineer than an artist - it was said of him that “he could see with his hands”. It dates from 1906 or thereabouts, and was another creation of the great American type designer Morris Fuller Benton. Script fonts are everywhere these days, but Commercial Script has been with us for over 100 years. This Ice Cream shop in Sidmouth, Devon, uses two reliable standards for their sign.